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Here are all the paintings of CAMPI, Giulio 01
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
28912 |
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Neptune Pursuing Coronis |
mk65
Oil on canvas
26 3/8x19 11/16in
Uffizi,Gallery
|
28865 |
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Portrait of a Gentleman with Mandolin |
mk65
Oil on canvas
291/8x22 13/16in
Uffizi |
5551 |
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Portrait of a Man iey |
Oil on canvas, 105,5 x 83 cm
The Hermitage, St. Petersburg |
63840 |
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Portrait of a Man - Oil on canvas |
105,5 x 83 cm The Hermitage, St. Petersburg Formerly the painting was attributed to Anthonis Mor, then to Paris Bordone, and later to Lorenzo Lotto.Artist:CAMPI, Giulio Title: Portrait of a Man Painted in 1501-1550 , Italian - - painting : portrait |
5550 |
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Portrait of Father Galeazzo Campi |
1535
Oil on canvas, 78 x 61 cm
Galleria degli Uffizi, Florence |
5549 |
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Portrait of Ottavio Farnese |
c. 1551
Oil on canvas
Museo Civico, Piacenza |
28866 |
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Portrait of the Artist's Father,Galeazzo Campi |
mk65
Oil on canvas
30 15/16x24 7/16in
Uffizi
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34316 |
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The Christening Party |
mk92
Oil on canvas
29x42in
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CAMPI, Giulio
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Italian Painter, ca.1502-1572
The eldest of a family prominent painters, Campi was born at Cremona. His father Galeazzo (1475-1536) taught him the first lessons in art.
In 1522, in Mantua, he studied painting, architecture, and modelling under Giulio Romano. He visited Rome, became an ardent student of the antique, and like Bernardino ?? distantly related to him ?? he combined a Lombard and Roman traditions. He collaborated on some works with Camillo Boccaccino, the son of Boccaccio Boccaccino, with whom Campi may also have received training.
Campi is called the "Ludovico Carracci of Cremona" although he preceded the founder of the Eclectics. When but twenty-seven Giulio executed for the church of Sant' Abbondio his masterpiece, a Virgin and Child with Sts. Celsus and Nazarus, a decoration masterly in the freedom of its drawing and in the splendour of its colour. His numerous paintings are grandly and reverently conceived, freely drawn, vigorously coloured, lofty in style, and broadly handled. He was animated in all his work by a deep piety. Numerous of his fresco works are housed in churches of Cremona, Mantua, Milan and in the church of Saint Margaret's, in his native town. Among his chief works are the Descent from the Cross (S. Sigismondo) at Cremona, and the frescoes in the dome of S. Girolamo at Mantua. An altar-piece in S. Sigismondo and his Labours of Hercules were engraved by the celebrated Ghiso, il Mantovano.
He died in Cremona in 1572.
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